Now accepting submissions for the “Time Will Pass” compilation on Argali Records Netlabel!

•April 28, 2012 • 1 Comment

ARGALI RECORDS NETLABEL PRESENTS
“TIME WILL PASS”

Argali Records Netlabel is now accepting submissions for the “Time Will Pass” compilation. For this project, we are mainly looking for experimental electronica, avant-garde music, industrial, IDM/glitch and similar sub-strains of these genres. However, we are not limiting submissions to these directions. When in doubt, send in a song and we will tell you what we think. If you need examples about what we are all about, feel free to not only check out our releases on Argali, but also the work of our allied netlabel friends at Timetheory, Clinical Archives, Treetrunk, etc.

Submission Guidelines: We are looking for songs/compositions/soundsculptures ranging from one to ten minutes in length. One song per band/musician, please. Preferably either unreleased and/or new material when possible. Usually we accept .MP3 or .WAV format files, although we are now accepting FLAC submissions as well. IMPORTANT: Sound files MUST be AT LEAST 128kbps .mp3 format or higher/comparable, 192kbps or higher greatly preferred. Argali Records Netlabel (via John Lithium’s “Lithium Industries” Soundcloud site) has a DropBox one can use to submit tracks. Alternatively, one can use YouSendIt to send the track to chandlern@gmail.com. These methods are the preferred methods for getting your music to us. If you’d like to utilize a different way, get in touch either through WordPress or email and I’ll see what we can do.

Currently there is no concrete deadline for when submissions can be submitted. For the sake of this text, a tentative date of July 1st has been set, although this may be changed if needed. Though this will most likely will not be an issue, Argali Records reserves the right to reject any submission for any reason (when in doubt, ask…we don’t bite). IMPORTANT: When you submit your song, please be sure to clearly label your file with your project/song name. If you have a site/Soundcloud/etc, feel free to include that as well. We will be including an ‘band/musician’ list in the linear notes and/or graphic design of the finished project.

Pictures/Art: We are also accepting graphics/art submissions for this compilation as well. Augment your auditory experience with a visual component! In terms of what we will NOT accept, see above (basically no overly graphic/political material etc), but in terms of what we WILL accept we are basically saying almost anything goes here (especially since this is the first time the graphic design of the release was not either handled in house or by one specific individual). While Argali releases graphics usually are around 1500×1500 or 3000×1500 (basically ‘cd booklet/cover’ format), we will accept smaller or larger images (as long as it’s larger than a thumbnail and smaller than a two-bedroom apartment). Images can be sent to the email listed above, the same basic rules apply (clearly label the file, etc).

Conceptual Food For Thought: Note that these are not set in stone concepts attached to this project, but instead represents a sleep-deprived stream-of-consciousness rush of ideas meant to stimulate creativity and inspiration. Feel free to follow or deviate from these ideas as you see fit: The title and theme of this compilation is “Time Will Pass”, a phrase I chose for both being intentionally vague and conceptually rich: the permeability of time, the constant flow of time, the impermanence of individual events, and yet how they maintain an ever-present reverberation into the entire fabric of reality (and possibly others). In addition, we live in troubled times in which the actual fabric of time itself seems to be accelerating. Is this a permanent trend? How often have you heard someone or a group of people claim that things will get better ‘once we get over this rough patch’ and similar self assurances? Could it be that 2012 is the cosmological fork in the road, in which time either accelerates out of control, or stop entirely? Will the veil be lifted or will the shroud be lowered? Is despair or hope ahead?

IF YOU HAVE ANY OTHER QUESTIONS/COMMENTS/CONCERNS/ETC, FEEL FREE TO EMAIL ME AT: chandlern@gmail.com. Thank you again for your continued support and encouragement. :)

Worst-Case Scenarios Compilation (Intelligent Machinery & Lithium Industries)

•January 7, 2012 • Leave a Comment

Original link at Intelligent Machinery here.

Intelligent Machinery (John Ingram) and Lithium Industries (John Lithium) are now accepting submissions for the ‘Worst-Case Scenarios’ compilation, featuring the Lithium Toolbox. The Lithium Toolbox is a series of soundscape tools – sound concepts – that have been offered up for free to the world at large, for subversion and subduction. A collection of “nightmares, dreams, hallucinations and worst-case scenarios” to use in your own sonic adventures. Tracks submitted for this compilation must include at least one sound file from the Lithium Toolbox: twisted, mangled, abused and/or misused in any way you see fit.

Go here for more information about the Lithium Toolbox, here to preview and download tracks from the Lithium Toolbox, and here for any questions regarding submissions etc.

Doomsday Compilation

•January 7, 2012 • Leave a Comment

Download it here. Featuring tracks by December Nightskies, John Lithium, skin contact, The Silence Bureau, silent frill, COMPACTOR, Jonny Ether, Controlled Dissonance, Raven, Mystified, somnaphon, Necron, Deccan Traps, Plastic Love Tool, Third I, ‘O Tempora, O Musicae vs SDS’, Death Mother, Bob Tavis, and Axelrod Nemoy (any musician links to the projects listed above would be greatly appreciated).

“Doomsday. The apocalypse. End times. Judgment Day.

Every culture has its own eschatology; its own vision of the end of the world. Doomsday is a compilation project to assemble tracks themed around this cataclysmic concept – noise, dark ambient, abstract sounds that reflect upon, relish in, admonish against or in some way celebrate your vision of eschatology.

When the day of reckoning is upon us, let it not be said that we were ill-prepared to provide its soundtrack.”

JOHN LITHIUM PRESENTS: LITHIUM TOOLBOX SOUNDSOURCES COLLECTION

•June 11, 2011 • 3 Comments

INFO PAGE & DOWNLOAD HERE: http://www.archive.org/details/ARGREC14

“Lithium Toolbox is a soundscape collection, featuring twenty-five different synth compositions from John Lithium. This collection is mostly sci-fi/cyberpunk/noir influenced and/or inspired. The first twenty-two tracks are brand-new songs composed in June, while the final three were recorded in May. The total collection is roughly 625 MB, with an average ‘song’ time of about two minutes. These are mainly drone-oriented tracks, although there are several notable exceptions.

While many of these ‘songs’ are able to stand under their own merits, they eagerly await for assimilation into your own designs, either in a remix and/or enhancement capacity.

This collection is licensed under a Creative Commons License Attribution-ShareAlike
CC BY-SA (http://creativecommons.org/licenses/by-sa/3.0/). While the preceding website covers most of the basics regarding this license, there are a few additional points to make. To begin, if you utilize this material (regardless of if it is for commercial or non-commercial use), please send me a note or email at (c h a n d l e r n [a t] g m a i l [d o t] c o m) describing your work and some links to the finished product. Also, while I by default usually include the share-alike aspect of the license, if you still wish to use the material but want to use a different license, send me a message and we can discuss it. If you have any questions/concerns/thoughts about this material (and/or other topics), again feel free to contact me at the email listed above.”

Current Activity II

•May 4, 2011 • Leave a Comment

-Working on new John Lithium and Nihil Obstat material.
-Argali Records resumes operations on June 2011.

Current Activity…

•April 28, 2011 • Leave a Comment

This post is a placeholder until I have at least one of the planned projects completed. Smaller samples and/or WIP may (or may not) be uploaded to the Soundcloud page.

At present, the only immediate goal is to organize, revisit, and restructure my computer/software/studio. Besides the small amount of programs I currently use to create music, I have 2 gigs worth of samples, loops, freeware, donationware, shareware, and paid programs that need to be sorted through, organized, and assessed for usability/uniqueness (in other words, getting rid of all the garbage).

Also, this site will also (hopefully soon) receive a long overdue update of the links section, along with small updates to the discography section (maybe) and possibly minor visual updates as well.

Next on the list are tentative music projects. One is the return of Nihil Obstat, and another is an as-yet untitled John Lithium project. I have been developing possible visual/auditory elements for these projects, but have not committed on anything specific yet.

Even further plans in the future include re-activating semi-regular activity at Argali Records Netlabel, vaguely regular updates on the Music For The Rest Of Us blog (special thanks to the bands/labels who have linked to reviews there at present and/or in the past)…

And remember:

“There are no happy endings, because nothing ends”

-jl IV.XXVII.MMXI

ESCAPISM

•March 26, 2011 • Leave a Comment

Two hours of new, unreleased, rare, and previously released material from sessions between 2008-2011. Features dark ambient, industrial, and experimental. As usual, the emphasis is on DARK. This compilation is being released through my net-label Argali Records as a free download (licensed through Creative Commons).

Grab it here: http://www.archive.org/details/ARGREC13

 
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